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About

Imogen Morgan is the Assistant Director of Music at St Mary’s Episcopal Cathedral, Edinburgh, a position she has held since August 2021. In this role, she accompanies the choir for their daily services, helps train the choristers, and assists with the Cathedral's outreach and recruitment projects. She has also broadcasted as a soloist and accompanist live on BBC Radio 3 and recorded for Delphian Records. Imogen is a prize-winning Fellow of the Royal College of Organists and was a finalist in the 2020 Northern Ireland International Organ Competition.

 

Imogen released her first solo album, ‘The Organ Works of Robin Milford’, with Priory Records in 2023 to critical acclaim, including several premiere recordings. She is increasingly in demand as a solo recitalist; recent concerts include Wells, Glasgow, and Leeds Cathedrals, and St Paul’s Cathedral as part of the Orgelbüchlein Project. Alongside her duties at St Mary’s, Imogen is a founding member of the Cathedral Music Trust’s Future Leaders Group, Events Officer for the Society of Women Organists, and teaches organ at St Mary’s Music School.

 

Imogen is a postgraduate research student at Durham University specialising in the intersection of music psychology and theology, having completed her undergraduate degree with First Class Honours. While an undergraduate, she was the Senior Organ Scholar of Durham Cathedral and University College, the latter with whom she recorded Duruflé’s Requiem for Priory Records.

Please get in touch via the contact form if you would like a biography for a programme.

Academic Papers

 

While an undergraduate, Imogen published two papers in the university's peer-reviewed journal for undergraduate research in Music & Science, which can be read online:

 

Musical Communication: Exploring the Relationship Between Native Language, Emotion, and Visual Mental Imagery in Shared Group Experiences

Untangling Musical Intuition: Is Absolute Pitch an Aid in Recognising Musical Form?

A photo of Imogen
Imogen Morgan in St Mary's
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Photo credits: Peter Backhouse

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